Bigge Blurbs
All the King’s Voices
And so you watched the progress of this man, the procession, really, of this handsome, lithe, tall black and white man toward the White House (“All in the Game,” by Mark Kingwell). Then you listened to the decisive way in which he ended each sentence in his speeches, though they contained little, and you knew that you had an obligation to comment, that as an academic philosopher you now needed to bring some clear-eyed thinking to an assessment of this phenomenon.
But there would be no lack of commentary, from the sycophantic to the morose. You knew that simply to add yet another piece of analysis, no matter how clear eyed and dispassionate, would be futile amid the din. And then, watching this man, you thought, this is a bright mind at work here. There must be some small voice in him that stands apart, the real philosopher within the public philosopher-king. Surely there’s a voice within, critiquing all this post-partisan stuff and yes-we-can, even as he declaims it so decisively. You had an idea: that inner voice would be the vehicle for your analysis, an undercurrent, no, a counterpoint to the public voice, only to be tragically stilled in the end, as so many philosophical voices are stilled. Socrates, Boethius, Bonhoeffer; you could name a few more. And, come to think of it, you would be following in the great literary tradition of others who had hard things to say: Galileo, Hume — they both used other voices to say what needed to be said.
So you had the small voice point out the fallacy of the big one. For a moment, you heard another small voice: Are you sure you’re not setting up a straw man here? Did he really say democracy is a meeting of equals? But then you thought, yes, he did at least imply it. In any case, it is integral to his platform and needs to be countered. And as you got into it, into this voice, you knew that you were on to something, that this was indeed the vehicle for truth, and so you soldiered on. You had the man’s inner voice almost consider cheating as a bad business, only to rationalize it as part of the game. A little tour de force of its own, you had to admit, your riff on cheating and spoilsports, a clear-eyed look at the hypocrisy of it all. It is so important to remain clear eyed. You remembered the tiny catch in your throat when this solitary man, young still, and vulnerable, stood in front of the crowd and spoke brave and sombre words into the winter air. You, too, were almost enchanted, but you fought your way free. You saw the words for what they were, and the world as it really is: meaningless.
A last, brief flourish of disdain, and you were done. Point made. You mused about what Davey, that old humbug detector, would think of that! You had perhaps forgotten that in the end Hume’s skepticism was mitigated, that hope can indeed have substance, can spring eternal, in a meaningful world.
Conrad Vanderkamp
Victoria, BC
Content owners are battling what Chris Anderson, author of The Long Tail, calls “a revolutionary price” in his next book, Free; and many things – from search to user-generated content – will remain free online. Professionally produced content, however, is likely to become much scarcer for those unwilling to pay for it.
“Who started this rumour that information had to be free and why didn’t we challenge this when it first came out?”, Time Inc’s Ann Moore asked this year.
According to Mr Grimshaw, the answer is that a “free evangelist movement [convinced] everybody that the internet was somehow different and any attempt to impose a business model was an imposition on people’s human rights”. Changing that perception will mean nothing less than challenging the culture of the internet as we currently understand it.
FT.com / Comment / Analysis - Media’s want to break free (via predicate)
Don’t tease me like this Toronto. To think this could be Dufferin station makes me want to weep with joy. But you always ruin something pretty at the last minute.
Except the AGO. What a miracle that renovation was.
This has to be one of the worst books I’ve read in a while.
Imagine a 14-year-old kid, who’s only ever read C.S. Lewis books, getting contracted by Disney to write an adaptation of a Bret Easton Ellis novel, but like, with heart.
Plus, the central message of the book (which gets thrown in your face over and over again) is completely deluded and is basically rooted in the same middle-class, North American, navel-gazing docility/nostalgia/cultural amnesia that it’s supposedly battling against.
Barf.
Here is my synopsis of every Doug Coupland book, ever.
Character A: You remember that Thing*? I remember that Thing.
Character B: I remember that Thing also.
Character A: Our shared rememberance of that Thing constitutes a lasting and real human connection!
Character C: And hey, you know what’s fucking hard? Growing as a person and finding out who I am. Because, who I am is like, well, do you remember that very special Christmas episode of Three’s Company, where Jack puts a plant on his head? It was like, you know, the shitty season, after Suzanne Sommers was replaced by Priscilla Barnes? Anyways, that’s what it’s like to hate my job so much? Did I mention I hate my job?
Character A (aside to B): I never watched after Suzanne Sommers left. It just like, when she left, my childhood seemed to evaporate? You know? How stuff was better? In the past?
Character B: I have contempt for and reverence for the same bits of cultural bric-a-brac that you do. This means love. Do you remember when Things meant things?
Reader, along with Characters A&B&C: Yes, we remember when Things meant things! Boy, did I ever have a lot of feelings, once upon a time!
A&B: Let us go forth and use our memories of feelings we once had about Things as a lazy shorthand for actual meaningful connection. That way, neither of us has to grow. The past was really neat, don’t you think? Let’s live there, because our shitty jobs make it too hard to live in the present, and thinking of a way out is just like, totes a bummer.
Character C: Wait! I have a confession: I am fearful of nuclear weapons. Also, cancer makes me sad.
Narrator: Aren’t we all a little sad about cancer? And nuclear bombs? I mean, those are sad things. Sad like when they got rid of the pirate from the McDonald’s Happy Meal Gang because he was too scary.
New York Times Magazine: Trend piece!
All: We always liked the pirate the best! McDonalds does not understand our generation!
Narrator: You should probably be feeling things right now. If not, maybe try downloading an Amish person into your iPhone?
THE END
* Wherein THING= Hiroshima, limited edition Joy Division record, episode of the Smurfs, short-lived pseudo-obscure sitcom from the ’80s, 8-track tapes.
